Featured Jobs
Visiting Assistant Professor of Theatre
St. Lawrence University
Visiting Assistant Professor of Theatre
The Department of Performance and Communication Arts at St. Lawrence University seeks a colleague for a two-year Visiting Assistant Professor of Theatre and Performance funded by the Andrew W. Mellon Foundation. We seek artist-scholars committed to inclusive teaching in the liberal arts to join and expand our transdisciplinary curriculum that emphasizes theatre, performance, rhetoric, and communication. We welcome colleagues committed to concerns of social justice, civic engagement, and systems of power, privilege, and oppression. We look forward to collaborating with colleagues who possess strong pedagogical skills with particular attunement toward equity-minded teaching practices. The teaching load is 3-3 or 2-3 with a directing release. The position begins August 17, 2026.
The successful candidate will teach at least one of the department’s two core performance courses (Introduction to Theatre or Beginning Acting). The successful candidate will also teach upper-level theatre and performance courses in their area of specialty and have an opportunity to develop special topics courses that expand the department’s current offerings. The area of specialization is open, but we are particularly interested in candidates whose teaching experience or interests include non-Western Theatre, Black, Latinx/e, or Asian/Pacific Islander theatre and performance traditions. In addition to teaching, the successful candidate will direct at least one theatrical production per academic year in our co-curricular production program.
Interested applicants must apply online at https://employment.stlawu.edu/postings/4307, uploading all required materials which are defined in the “special instructions to applicant” section. Applications received by September 29, 2025, will be given full consideration; applications received after that date will be reviewed as needed. Direct queries to search chair Angie Sweigart-Gallagher, at asweigart@stlawu.edu.
All offers of employment are contingent upon the finalist successfully passing a background (including criminal records) check.
Minimum QualificationsMFA in Directing or Acting or Ph.D. by time of appointment; evidence of the ability to develop into an excellent teacher; evidence of ability to direct and mentor undergraduate artists and collaborate with a design team.
Assistant Technical Director of Rigging (Full-Time, Year-Round)
Glimmerglass Festival
Assistant Technical Director of Rigging (Full-Time, Year-Round)
Assistant Technical Director of Rigging (Full-Time, Year-Round)
The Glimmerglass Festival seeks a full-time Assistant Technical Director (ATD) of Rigging to join its year-round production staff.
The ATD of Rigging works as a member of the Glimmerglass Technical Direction team; they report to the Technical Director, and work alongside a full-time ATD of Scenery, a full-time Scenic Charge, a seasonal ATD of Stage Operations, a seasonal Production Electrician and other seasonal Production Team members.
The primary duties of the position during the offseason (September-April) will include inspecting and maintaining the rigging system and equipment; assisting in the budgeting, planning, and technical design of flying scenery; purchasing for rigging-related projects; collaborating and supporting the Technical Direction (TD) team as a whole in the TD office; and assisting the Technical Director with any seasonal hiring support needed. During the season (May-August), the primary duties include assisting in the installation, maintenance, changeover, and strike of flying and/or rigging related production elements; coordinating the rigging components of the electrics load-in with the Technical Director and Production Electrician; assisting other department’s rigging needs during their respective installs/strikes/projects; participating in the TD team’s supervision and mentorship of the TD Apprentice; attending pre-determined technical rehearsals; acting as a show technical supervisor for one production; and assisting with the archiving of productions for future rentals.
Much of the work this position performs routinely is at height, on ladders, or in lifts; involves lifting equipment to elevated positions; and requires the use of power tools for custom projects. Knowledge of single-purchase counterweight systems, operation of chain motors, AutoCAD, and welding/fabrication experience is needed. Knowledge of theatrical repertory practices is a plus.
Some projects will be worked on independently, especially during the offseason, while other projects will require working in a group setting. The responsibilities of this position require the employee to be physically present on campus to complete the tasks assigned. This position has offices or workspaces that require the employee to climb flights of stairs or ladders. September through April the position operates on a standard Monday-Thursday, 40-hour work week schedule; May through August, the employee must be able to work a flexible hours schedule, including nights and some weekends. Additional training may be provided. Commitment to safe work habits and shop practices is essential. Must be willing to abide by Glimmerglass Festival’s current and potential future health and wellness policies.
This position runs full-time. $22.75/hour. Includes 20 days of paid time off; holidays per company policy; optional individual medical and dental coverage; and voluntary supplemental retirement account participation.
Housing and transportation is not included. Being in a rural area, there is no public transportation in the area surrounding Glimmerglass. The Employee is encouraged to use a personal vehicle.
The Glimmerglass Festival seeks to hire persons of all backgrounds, lived experiences, and identities. Developing and investing in our employees is our highest priority to achieve an environment that fosters company wide success. The Festival aims to employ individuals at varying stages of their careers, who have a desire to work for a leading arts organization that values professional and personal growth through collaboration and commitment to creating the highest quality product possible. In order to learn more about the initiatives and actions we are taking to make progress in these areas, please visit our website, HERE.
The Glimmerglass Festival is an Equal Employment Opportunity employer and welcomes all qualified applicants. Qualified applicants will receive fair and impartial consideration without regard to race, sex, color, religion, national origin, age, gender identity and expression, sexual orientation, disability, veteran status, genetic data or any other legally protected status.
The hiring process for this position will be ongoing until filled. The position will be posted for two weeks prior to the start of the interview process and applications will be accepted until all positions are filled. This job was posted on September 18, 2025.
To apply, please prepare a one page Cover Letter and a one page Resume (including three references and a link to portfolio) in a single PDF document. Submit and complete the application process by clicking HERE, or by going to our Glimmerglass Website Employment Page, and filling out the Employment Application Form.
Much of the work this position performs routinely is at height, on ladders, or in lifts; involves lifting equipment to elevated positions; and requires the use of power tools for custom projects. Knowledge of single-purchase counterweight systems, operation of chain motors, AutoCAD, and welding/fabrication experience is needed. Knowledge of theatrical repertory practices is a plus.
Some projects will be worked on independently, especially during the offseason, while other projects will require working in a group setting. The responsibilities of this position require the employee to be physically present on campus to complete the tasks assigned. This position has offices or workspaces that require the employee to climb flights of stairs or ladders. September through April the position operates on a standard Monday-Thursday, 40-hour work week schedule; May through August, the employee must be able to work a flexible hours schedule, including nights and some weekends. Additional training may be provided. Commitment to safe work habits and shop practices is essential. Must be willing to abide by Glimmerglass Festival’s current and potential future health and wellness policies.
Director of Production
Music Theatre Wichita
Director of Production
Music Theatre Wichita is seeking a Director of Production to join a dynamic, forward-looking
team. The ideal candidate will have a strong background in theatrical budgeting, technical
production, and managing production teams.
We are looking for someone who has strong verbal and written communication skills, gives impeccable attention to detail, and enjoys working with and managing diverse groups of personalities. Music Theatre Wichita currently produces five mainstage productions in the summer months, youth theatre productions, and other special events. MTWichita has a team-oriented approach and a strong history of producing shows with high standards of production and performance.
For a Full description of Essential Duties and Responsibilities, please look here https://mtwichita.org/about/employment/director-of-production/
The job requires 5+ years of experience in production management, including budget responsibilities and talent recruitment and development. Supervisory experience is required, as is knowledge and experience with the musical theatre art form. OSHA 10 or OSHA 30 training preferred.
• Verbal and written communication skills sufficient to empathetically manage groups with a wide variety of personalities and communication styles.
• Knowledge and in-depth understanding of various elements required to create high-quality musical theatre productions.
• Knowledge of and ability to use standard office hardware and software, including, databases and web-based software programs, including Outlook, Excel, DocuSign, and Word; cloud-based storage like OneDrive and Dropbox; and industry software such as AutoCAD, Vectorworks, and QLab. Ability to learn new applications and skills.
• Integrity above reproach; ability to maintain highest confidentiality when dealing with sensitive or private information.
• Strong attention to detail.
• Ability to effectively organize time and anticipate, plan, and manage multiple priorities with deadlines.
• Ability to learn new applications and skills.
The application packet should include a letter of interest, a résumé, and the names and contact information of three professional references. (These references will only be contacted for finalists, and the candidate will be notified in advance.) Please email application materials to Artistic Director Brian J. Marcum. employment@mtwichita.org
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Sales & Events Coordinator
USITT
Sales & Events Coordinator
Organizational Summary:
USITT was founded in 1960 as an organization to promote dialogue, research, and learning among practitioners of theatre design and technology. Today it has grown to include members at all levels of their careers and has embraced the new technologies being used in entertainment. Our mission is to connect performing arts design and technology communities to ensure a vibrant dialogue among practitioners, educators, and students.
About the Position:
USITT is seeking a detail-oriented and customer-focused Sales and Events Coordinator to support the event operations and sales initiatives of the United States Institute for Theatre Technology (USITT). In this position, you will be responsible for managing the logistics that ensure the successful execution of our events. Your duties will encompass exhibitor support, sponsorship fulfillment, as well as coordination of housing, travel, food and beverage services, and rebooking exhibitors for future conferences. This position will play a pivotal role in delivering exceptional service to our sponsors and partners, thereby facilitating a seamless event experience both onsite and online.
Duties and Responsibilities:
Sales & Exhibitor Support
- Assist with booth, advertising, and sponsorship sales — from outreach to fulfillment.
- Provide friendly, responsive service to exhibitors and sponsors, answering questions and helping with logistics.
- Maintain accurate exhibitor and sponsor records in CRM and event platforms.
- Assist in managing booth assignments, contracts, and customer communications.
Stage Expo Rebook Process
- Assist with the annual rebook process for Stage Expo exhibit space — both onsite at the conference and virtually before or after.
- Assist in preparing rebook materials, manage scheduling, update records, and guide exhibitors through the process.
- Support booth sales goals by providing clear information and timely follow-up.
Sponsorship and Advertising
- Track sponsorship deliverables to ensure all promised benefits are fulfilled.
- Coordinate with marketing and vendors to execute branding, signage, digital placements, speaking slots, and more.
Event Logistics & On-Site Support
- Support the planning and coordination of the USITT Annual Conference & Stage Expo and other live or virtual events.
- Coordinate with vendors, venues, and internal teams on exhibitor services, meeting space setup, and show materials.
- Serve as an on-site resource during events for sponsors, exhibitors, and attendees.
Travel & Housing Coordination
- Assist with coordinating hotel blocks, booking codes, and communications for staff, VIPs, and attendees.
- Track and manage reservations, communicate rooming lists, and liaise with hotel contacts.
- Assist with staff and guest travel logistics, including flights and ground transportation
Food & Beverage Planning
- Support the planning and execution of catering orders for receptions, meetings, and special events.
- Work with venues and caterers on menu selection, dietary needs, and guest counts.
- Ensure F&B service runs smoothly during events.
Admin & Communication
- Collaborate with marketing to promote exhibitor and sponsor opportunities.
- Maintain organized records, timelines, and event documentation.
- Prepare reports, contracts, invoices, and post-event evaluations.
Qualifications:
- 2-4 years of experience in events, sales, sponsorship, hospitality, or nonprofit operations.
- Excellent communication skills and a friendly, service-first approach.
- A love for organization, spreadsheets, and keeping things on track.
- Ability to manage multiple projects and adapt to changing needs.
- Familiarity with CRM tools- Salesforce/Nimble, Excel, Google Workspace, and virtual event platforms is a plus.
- Willingness to travel to support USITT events, including travel to Long Beach, CA, to support the annual conference during the week of March 15-22, 2026
Status - Contractor:
This position will be staffed as a contractor and will be required to sign USITT’s contractual agreement for a period of one year or less, depending on the date that work under the contract begins. This position is a 40-hour per week position with a finite termination date. The position, regardless of start date, will end on June 30, 2026. There is the potential for the position to become a permanent hired employee of USITT; however, permanency will be dependent on a variety of factors, including, but not limited to, institutional fit, job performance, and budgetary considerations.
Compensation:
The compensation for this position is an hourly rate in the range of $20.00 - $25.00, and will receive no employer-paid benefits. There will be no taxes withheld, or any deductions taken from the gross compensation. An invoice should be submitted to the Finance Department on the 1st and 15th of each month, and payment will be made via an ACH electronic deposit within 5 days after receipt of the invoice. A tax Form 1099 will be issued in January 2026 for the gross compensation received in calendar year 2025.
Location and Work Hours:
The position will work from USITT’s National Office in Liverpool, NY, within the set schedule of the National Office (8:30 AM to 5:00 PM Eastern Time). The actual work schedule will be determined by the Director of Sales and Events. This position is to start immediately after the signing of the staffing agreement.
Submission Deadline:
The position is open until filled and may be closed at any time.
Applicants selected for interviews will be contacted by email.
No phone calls, please.
USITT is an Equal Opportunity Employer, drug free workplace, and complies with ADA regulations as applicable.
Associate Technical Director
The Huntington
Associate Technical Director
Associate Technical Director
Position: Associate Technical Director
Department: Production (Scenery)
FT or PT: FT
Classification: Annual Salaried ($72,000 - $80,000 annually)
Schedule: Weekdays, weeknights, & weekends
Status: Exempt
Reports To: Technical Director
Statement of Job:
In conjunction with the Technical Director, the Associate Technical Director (ATD) is responsible for the safe, accurate, timely, and effective execution of scenic designs, completed with a spirit of excellence, collaboration, and fiscal responsibility.
The ATD will serve as lead scenic manager for several productions and projects throughout the year, supervising each from initial technical design through shop fabrication, on-site installation, rehearsals, performances, and strike. Core duties include budgeting and cost analysis, technical design and drafting, researching and sourcing specialty hardware and materials, and overseeing construction and load-in/strike for both Huntington productions and external projects.
For external projects or co-productions, the ATD prepares comprehensive as-built documentation and assembly instructions, and may travel to assist with on-site installation if needed.
As the second-ranking member of the scenery team, the ATD plays a vital leadership role within The Huntington’s Production Department. The role requires strong collaboration, technical expertise, and the ability to manage multiple projects in a fast-paced production environment.
JOB DUTIES & RESPONSIBILITES
TECHNICAL DESIGN / DRAFTING / SHOW MAINTENANCE:
-Serves as lead scenic manager on assigned shows and projects, coordinating directly with the design team
-Acts as primary drafter for assigned projects, producing detailed construction drawings
-Prepares and maintains production schedules, including build, install, maintenance, and strike timelines
-Directs and assists the Shop Supervisor during builds as needed; coordinates with other production departments to maintain overall build schedule
-Leads load-in and installation, ensuring effective coordination with other production departments
-Attends technical rehearsals, including as a representative of the Technical Direction team for projects led by others. Takes notes, makes decisions on overnight and future work, and develops clear plans to guide the team’s next steps.
-Serves as primary contact for technical issues once a show is running, through strike
-Leads maintenance efforts and serves as chief inspector for productions with automated scenic elements
-Communicates clearly with the Technical Director regarding project status, including any budgetary or scheduling deviations
-Archives completed projects by compiling drawings, notes, purchase records, and other documentation for future reference
-Serves as lead automation specialist for productions involving automated scenic elements
SHOP MANAGEMENT:
-Serves as second in line for decision-making behind the Technical Director
-Supervises Scenery Team staff assigned to projects, managing workflow, ensuring safe and efficient operations
-Fosters a collaborative and respectful work environment
-Adhere to and promote safe working practices
-Maintain a safe, clean, and efficient workspace
-May be assigned specific machines or shop areas to lead maintenance and training efforts
-Assists in managing scene shop operations, including the development and supervision of maintenance and safety programs
EXTERNAL PROJECTS, as assigned:
-Serves as lead project manager as described above, and acts as primary contact with the client
-Leads technical design and drafting, ensuring alignment with project scope and client expectations
-Develops and manages change-orders as needed throughout the project lifecycle
-Travels as required to support installation and on-site notes, in accordance with project contracts
-Maintains and archives all relevant project documentation, including drawings, notes, purchase records, and contracts
ADDITIONAL DUTIES:
-Assists TD with budgeting, cost analysis, and scope feasibility for scenic designs
-Track Scene Shop expenses and maintain receipts
-Purchase materials and supplies
-Locate and schedule over-hire labor as needed for build, install, and strike processes
-Occasional maintenance of facility and facility equipment pertinent to scenery operations
-Conduct research for materials and products
-Other duties, as assigned.
QUALIFICATIONS – Candidate MUST meet the following qualifications to be considered for the role:
-B.A. in Technical Production or equivalent professional experience.
-5+ years of professional scene shop experience, preferably in a management role
-Proficient in AutoCAD and theatrical drafting standards, 3D drafting preferred
-Experience and knowledge of scenic construction materials, techniques, and engineering principles
-Ability to lead a crew of 10+ people with varying skill levels and experience.
-Knowledgeable in the safe use of typical wood/metal machine and hand power tools.
-Experience with theatrical and entertainment rigging techniques.
-Must possess a keen awareness of shop safety and procedures.
-Familiarity with stage machinery and automation control systems.
-Strong attention to detail and excellent organizational skills
-Self-motivated, punctual, and efficient
-Collaborative and composed under pressure
-Ability to work independently and collaboratively
-Working knowledge of Microsoft Office
-Excellent communication skills
-Self-motivated, punctual, efficient, and able to meet deadlines
-Ability to work a flexible schedule, with advance notice
-Able to lift 50+ lbs.
PREFERRED SKILLS
-Proficiency in programming and operating a RAYNOC automated rigging system
-Proficiency in programming and operating a Creative Conners automation system
-Ability to drive a 26’ box truck
-Comfortable working at heights of 60+ ft
-Understanding of budgeting, accounting, and bookkeeping practices
-Ability to generate rough cost estimates from renderings and detailed estimates from elevations and models
-Knowledge of scene painting and properties construction methods
-Familiarity with theatrical scenery and lighting design
Available Jobs
University of Wisconsin-Whitewater
Costume Designer/Shop Manager
The Theatre & Dance Department at the University of Wisconsin-Whitewater seeks a Costume Designer/Shop Manager/Lecturer; full-time, nine-month, renewable Academic Staff position beginning August 2026. Position will teach undergraduate courses and serve as the Costume Designer for productions and serve as the Costume Shop Manager.
• M.A. in entertainment/theatrical design• Evidence of university level teaching (inclusive of teaching assistant positions) with a focus on costume design and/or technology.• Evidence of production experience in costume technology and/or design.
Des Moines Metro Opera
Head Scenic Carpenter
Des Moines Metro Opera is seeking to add the position of Head Scenic Carpenter to our full-time, year-round production team in Indianola, Iowa. This position is a recent addition to the organization and will primarily lead the company in all scenic-building and scenic installations for the festival. This position will be part of the advanced planning process for the festival and will participate in the hiring of the festival production staff.
Working year-round this position will build, maintain, repair, and improve the scenery, warehouse and shop spaces. The Head Scenic Carpenter will be critical for the smooth install of all scenery & fly goods at the Blank Performing Arts Center and is not expected to run the shows or expected to participate in repertory changes. If a candidate is interested in filling a festival position, that is certainly open for discussion.
This position will work closely with the festival head stage carpenter and head fly operator as well as the festival associate technical directors and will work year-round with the director of production as well as the assistant scenic carpenter and head scenic artist.
Des Moines Metro Opera encourages applications from people without formal education in theater – the substitution of experience for traditional educational is perfectly acceptable.
• Diploma or Degree from a Theatre Production Program of study and/or 5 or more years of experience working in a scenic shop.
• Ideally, has experience as the primary builder on several projects of various types and scales.
• Experienced in the accepted practices of theatre construction methods and with a variety of materials.
• Experience working with a variety of tools, but especially knowledgeable in the safe operation of standard shop tools/equipment, including equipment like forklifts, personnel lifts, ladders, box/panel trucks with lift gates, etc..
• A high attention to detail is essential; an understanding and willingness to adapt to the needs of the scenic artist’s requests to produce the designed best outcomes.
• Experience in leading a team, communicating with the team and the ability to understand the strengths and weaknesses of the team. This person should have excellent relationship building skills.
• Someone passionate about making the install go smoothly is essential and someone who shares the belief that the beautifully finished front side of scenery should also have a beautiful backside – clean, labeled, without any fasters that poke through –someone who takes great pride in the scenery they construction.
• Experience in ordering and sourcing materials, as well as the ability to monitor spending/reporting spending.
• Experience in building fly cables and preparing scenery for hanging.
• Ideally, some experience in aluminum welding and fabrication. Additional training can be provided.
• Comfortable driving a 26’ box truck and with experience loading trailers/trucks with scenery.
• Willing to help support the touring technicians of Opera Iowa and someone willing to step-in in case of illness.
• Desire to organize and effectively store stage / shop equipment, including equipment from other departments.
• Willingness to help with the odd projects, events, installs, displays and other activities for the company when help is needed.
• This person needs to always behave like a professional and compassionate team-focused leader. The best candidate will have a good sense of humor and a good way of showing pride in the team’s work. This person should have a mindset of ‘how can I help’ and ‘how can I improve this for others’.
• This position will receive (if they don’t have) first-aid training, OSHA workplace safety training, fall arrest (as needed) training, forklift operation certification and any other safety training deemed necessary. All workplace training will all be provided to the successful candidate at no-charge. Des Moines Metro Opera will make other various professional development available to the successful candidate.
Bowling Green State University
Theatre Operations Coordinator
Theatre Operations Coordinator
Bowling Green State University is a nationally ranked public university committed to redefining student success in a high-achieving, innovative environment. In 2021, Forbes ranked BGSU as the No. 3 midsize employer in the United States, highlighting the University’s commitment to its faculty and staff. Serving as the core of the University’s academic community, more than 800 full-time faculty members are engaged in teaching, research and creative activities, with over 2,000 full-time staff members to support the operations and education of over 20,000 students.
The Theatre Operations Coordinator for the Department of Theatre and Film, under the supervision of the Chair of the department and housed within the Wolfe Center for the Arts, coordinates the logistics and scheduling of all activities within the Wolfe Center for the Arts. In the case of external events, the coordinator reviews technical riders. The coordinator also serves as the Wolfe Center Building Safety Coordinator and Building Emergency Response Leader. In this capacity, the coordinator is present at all events scheduled in the Wolfe Center. Additionally, the Coordinator serves as the master electrician for the Department of Theatre and Film mainstage productions, and lighting designer and technical director for internal/external performances, lectures, and special events scheduled into the facilities' theatres. The coordinator also supervises the student lighting crews for all department productions and performances.
Full-time, twelve-month Administrative Staff position available. For a complete job description & to apply for this position visit https://apptrkr.com/6593582 or contact the Office of Human Resources. BGSU. EEO/Disabilities/Veterans. In compliance with the ADA Amendments Act (ADAAA), if you have a disability and would like to request an accommodation in order to apply for a position with Bowling Green State University, please call 419-372-8421.
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Ohio State
Associate Event Production Manager
The Associate Event Production Manager (AEPM) is a key leadership role responsible for the planning, coordination, and execution of events at the Jerome Schottenstein Center (JSC) and CASE venues. This position manages both Ohio State University Athletic Department events and a wide range of special and private events. The AEPM ensures the seamless integration of technical production, guest experience, and venue operations to deliver exceptional event experiences.
Key Responsibilities:
-Event Planning & Management
-Serve as the lead production contact for select special and private events.
-Coordinate all services and equipment orders in support of events.
-Prepare event day information sheets, post-event summaries, expense reports, and incident report summaries.
-Manage communications between clients and internal departments to ensure successful event execution.
-Coordinate guest needs for meeting rooms and the practice pavilion.
Technical Production Oversight:
-Assist in the process of installation, maintenance, and operation of Production sound, Entertainment lighting, and theatrical systems including draping and rigging.
-Advance and execute technical requirements for touring productions, concerts, and athletic events.
-Support in-game entertainment and broadcast logistics for Men’s and Women’s Basketball and Men’s Ice Hockey.
- Create building CADs for special events and projects
Team Leadership & Operations:
-Hire, supervise, and schedule stagehands, production technicians, and casual labor teams.
-Assist in overseeing Guest Services, Security, Parking, and Public Safety teams during events.
-Process payroll and maintain training and performance records for production staff.
-Collaborate with the Building Operations team to ensure proper setups and venue readiness.
Client & Guest Experience:
-Act as a liaison between clients and venue departments to ensure high-quality service delivery.
-Work closely with Guest Services to uphold a high standard of guest experience.
-Ensure all event elements align with venue capabilities and client expectations.
Minimum Required Qualifications
Bachelor's degree or equivalent experience. Advanced degree in relevant field may be desirable. 4 years of relevant experience required. 4-8 years of relevant experience preferred.
Additional Information:
Qualifications:
3–5 years of experience in live event production, venue operations, or a related field or equivalent degree.
Strong technical knowledge of theatrical systems, AV equipment, and broadcast technologies.
Proven leadership and team management skills.
Excellent organizational, communication, and problem-solving abilities.
Proficiency in Microsoft Office; CAD skills highly recommended.
Ability to work flexible hours, including evenings, weekends, and holidays.
Experience in collegiate athletics or sports entertainment environments.
Familiarity with AutoCAD or similar software for event drawings.
OSHA or ETCP certification is a plus.
The university is an equal opportunity employer, including veterans and disability.
As required by Ohio Revised Code section 3345.0216, Ohio State will: educate students by means of free, open and rigorous intellectual inquiry to seek the truth; equip students with the opportunity to develop intellectual skills to reach their own, informed conclusions; not require, favor, disfavor or prohibit speech or lawful assembly; create a community dedicated to an ethic of civil and free inquiry, which respects the autonomy of each member, supports individual capacities for growth and tolerates differences in opinion; treat all faculty, staff and students as individuals, hold them to equal standards and provide equality of opportunity with regard to race, ethnicity, religion, sex, sexual orientation, gender identity or gender expression.
Wenger Corporation
Theatrical Rigging Installer (Fully Remote)
Wenger Corporation is a privately-held, leading manufacturer of high-quality music education, performing arts and athletic products. The J.R. Clancy brand is a world-class provider of acoustics, stage rigging, stage lighting, and storage solutions designed to create flawless performances. Our capabilities go beyond products to include installation and service. With more than 200-years of combined experience, no other brand comes close to matching the knowledge, product selection, innovation and service.
We are seeking skilled and safety-conscious Theatrical Rigging Regional Installer to join our team. This role involves installing, inspecting, and maintaining rigging systems for theatrical production, live events, and performance venues. Ideal candidate will have hands-on experience with theatrical rigging hardware, a strong understanding of safety standards, and the ability to work collaboratively in dynamic environments. As a Rigging Installer, you directly contribute to Wenger Corporation’s mission of delivering exceptional customer experience by ensuring the safe, efficient, and high-quality installation of rigging systems. These systems are vital components in performing arts centers, theaters, schools, and athletic facilities—spaces where precision and reliability are paramount.
At a minimum, you’ll need:
- High school diploma or equivalent.
- Two or more years of experience working in a construction environment on rigging, carpentry or related trade in the performing arts industry or adjacent field.
- Ability to read and interpret construction drawings and blueprints.
- Proficiency in using hand tools, power tools, and construction equipment lifts and fork trucks.
- Comfortable working at heights and using aerial lifts, scaffolding, and ladders ranging from 40’-80’.
- Strong problem-solving skills and mechanical aptitude.
- Ability to travel extensively with overnight stays.
It would be great if you also have:
- Knowledge of performing arts industry
- Prior experience installing theatrical or entertainment rigging systems.
- Experience safely trouble shooting and maintaining all aspects of rigging
- ETCP (Entertainment Technician Certification Program) certification or willingness to pursue certification.
- OSHA 10 or OSHA 30 safety training.
- Welding, electrical, or control systems experience.
- Computer skills and aptitude, especially Word, Bluebeam and Excel
A typical day may include:
Planning and Execution
- Interpreting project drawings and specs to define scope and constraints.
- Developing OSHA-compliant installation methods aligned with Wenger standards.
- Supporting scheduling and coordination with project managers, general contractors and tradesmen.
On-Site Leadership
- Leading as installer onsite executing installation and organizing on-site installation activities for efficiency and safety.
- Supervising and mentoring crew members to meet quality standards.
- Managing third-party labor to ensure cost-effective operations.
Compliance & Documentation
- Completing daily reports, time logs, onboarding, and safety paperwork.
- Participating in GC/CM-led safety and planning meetings.
- Enforcing compliance with safety laws and industry regulations.
Client Interaction & Problem Solving
- Serving as the primary client contact for installation-related matters.
- Providing issue reports with recommendations and photo documentation.
- Troubleshooting and resolving on-site challenges promptly.
Travel & Flexibility
- Traveling domestically and internationally to support various projects.
Summary of Key Competencies
- Installation & Oversight: Ensure rigging systems meet safety and spec standards.
- Coordination & Support: Align efforts across teams and stakeholders.
- Customer Delivery: Execute projects with professionalism and quality.
- Technical Problem-Solving: Adapt to site-specific rigging challenges.
- Team Collaboration: Promote a safe, efficient, and communicative work culture.
Benefit offerings include:
- Paid Time Off
- 9 Paid Holidays
- Generous Profit Sharing
- Medical, Dental and Vision Insurance
- Spending Accounts – HSA, FSA, DCFSA
- Company Paid Short-term and Long-term Disability Insurance
- 401k Retirement Plan with Company Match
- Company Paid Life Insurance
- Supplemental Life Insurance
- Employee Assistance Program
- Tuition Reimbursement Program
Pay information reflects the anticipated compensation range for this position based on current market data. Individual pay is determined by skills, experience, and other relevant factors. Wenger Corporation covers all work-related travel expenses, including mileage reimbursement, per diem, flights, and hotel accommodations.
Wenger Corporation's core purpose is to ENRICH LIVES BY ENABLING AND INSPIRING GREAT PERFORMANCES.
Put your passion to work in an exciting, rewarding industry that inspires great performances today!
Wenger Corporation is an Equal Opportunity / Affirmative Action Employer
All Qualified Candidates are Encouraged to Apply
STAGES
Production Manager
STAGES is seeking a Production Manager to lead the Production Department and supervise the Production Shops employees. For full job description please visit: https://stagesstlouis.org/jobs/
• Bachelor’s degree in theater or equivalent work experience.• Five years professional experience in production management, production stage management, or technical direction or combination thereof.
University of Mary Hardin-Baylor
Director of Operations and Technical Director Performing Arts Center
Director of Operations and Technical Director Performing Arts Center
ID: 2006
Department: College of Visual and Performing Arts
Type: Full-time Staff
Post Date: 09/04/2025
Position Available Date: 09/11/2025
Description
The University of Mary Hardin-Baylor seeks qualified Christian employees for this position.
Responsibilities: Responsible for overseeing all aspects of the day-to-day operations, usage, scheduling and maintenance of the university's Performing Arts Center. Assures that all scheduled events are well coordinated. Assures proper staffing and coordination with other departments for needed services for events. Serves as Technical Director for the Performing Arts Center and oversees the technical aspects of the PAC's assorted performance productions (approximately 20 choral & instrumental concerts and 1 musical theatre production per semester). This position will participate actively in the college community, as well as work cooperatively with local fine arts groups.
Minimum Requirements:
• Must be an active and committed Christian who will support the University's mission and who will be an active participant in their local church.
• A Masters of Fine Arts degree in technical theatre is preferred. Commensurate experience will be considered.
• A minimum of two (2) years employment experience in theatre management, lighting/set design and stagecraft or a closely related field is required.
• Ability to work effectively with students, faculty, and university personnel is required.
• Competency of techniques, methods and procedures of theatre/music/performance productions including house management, sound and lighting design and implementation, stage management and computerized lighting systems is preferred.
• Competency in Microsoft Office for Windows applications (word processing, database, spreadsheet, e-mail, presentation graphics, etc.) required.
• Must be proficient in general office equipment operation.
• Must possess exceptional time management and detail-orientation skills.
• Must possess a current and valid Texas driver's license and be insurable under UMHB auto coverage.
• Must agree to the University's Employee Statement of Understanding.
Salaries and Benefits: Competitive salary commensurate with experience, excellent benefits including Day One medical and dental insurance, retirement plan with match and tuition benefits for employees and their dependents.
Application Deadline: Position will remain open until filled.
To Apply: Please click the "Apply Now" link to apply for this position. Please attach a resume and a cover letter of interest with your online application.
INTERNAL CANDIDATES: Please contact HR directly at Ext. 4527 to ascertain which documents are required to apply for this position. Please contact the Human Resources Division directly, rather than the hiring department/supervisor, to assure equal opportunity of our process.
To apply, visit https://apptrkr.com/6571024
Wenger Corporation
Theatrical Rigging Estimator
This is a structured Hybrid Position which requires working in our Syracuse, NY facility: Monday, Wednesday, and Friday. Tuesday and Thursday are optional in office, or home office workdays. Therefore, candidates must reside within reasonable drivable distance to the facility.
Wenger Corporation is a privately-held, leading manufacturer of high-quality music education, performing arts and athletic products. The J.R. Clancy brand is a world-class provider of acoustics, stage rigging, stage lighting, and storage solutions designed to create flawless performances. Our capabilities go beyond products to include installation and service. With more than 200-years of combined experience, no other brand comes close to matching the knowledge, product selection, innovation and service. Our team members enjoy the amazing opportunity of seeing a product go from an initial idea to an incredible performance! Knowing your work has helped make a performance richer, creates a sense of fulfillment that is unmatched. If you’re ready to apply your knowledge and expertise to a world-class brand, solve unique challenges with innovative solutions all in effort of inspiring great performances – join the Wenger Corporation team!
Wenger Corporation is seeking an Estimator. Reporting to the Senior Estimator, this individual is a key player on the Sales team, reviews project plans and specifications, produces equipment quotations for orders and dealer / contract bids. The estimator assists customers to provide a better understanding of standard and custom rigging solutions and works to improve the estimating process.
At a minimum, you’ll need:
Bachelor’s Degree in Technical Theatre, Project Management or equivalent sales and construction experience
Estimating and quotation experience
Construction and/or technical theatre work
Strong computer skills including Excel, Outlook, Word, CRM (EPICOR), SalesForce, PDM
Working knowledge of pre-construction processes, documents and/or theatre rigging applications
It would be great if you also have:
ETCP Rigger – Theatre
ISO 9001 Quality Management System
A typical day may include:
Work on all types of project estimates from small equipment quotes to larger dealer and contract projects
Review project documentation including drawings and specifications
Produce accurate estimates, quotations and bills of materials using CRM (EPICOR) quoting program
Review and coordinate work with other estimators and sales staff
Work with internal resources (Engineering, Project Management, Production) to identify project needs as they relate to pricing
Use Sales Force for project information tracking
Communicate with architects, consultants and contractors regarding project requirements and pricing development
Participate in industry trade shows as required
Adhere to ISO processes and requirements, drive improvements
Perform work activities that are in line with achieving the company’s Quality Management Objectives
Benefit offerings include:
Paid Time Off
9 Paid Holidays
Generous Profit Sharing
Medical, Dental and Vision Insurance
Spending Accounts – HSA, FSA, DCFSA
Company Paid Short-term and Long-term Disability Insurance
401k Retirement Plan with Company Match
Company Paid Life Insurance
Supplemental Life Insurance
Employee Assistance Program
Tuition Reimbursement Program
Pay information reflects the anticipated compensation range for this position based on current market data. Individual pay is determined by skills, experience, and other relevant factors.
Wenger Corporation's core purpose is to ENRICH LIVES BY ENABLING AND INSPIRING GREAT PERFORMANCES.
Put your passion to work in an exciting, rewarding industry that inspires great performances today!
Wenger Corporation is an Equal Opportunity / Affirmative Action Employer
All Qualified Candidates are Encouraged to Apply
University of Oklahoma
Assistant Professor - Sound Design
Assistant Professor - Sound Design
The School of Drama in the College of Fine Arts at University of Oklahoma invites applications for an Assistant Professor position in Sound Design with an appointment to begin Fall 2026.
We are seeking a colleague who is a committed artist-educator and active sound designer who will share their professional experience, sense of creative discovery, and knowledge of emerging audio technologies with undergraduate students through teaching and mentorship.
The qualified candidate will teach a combination of undergraduate courses in Sound Design, Sound Production, and other areas of related expertise such as Vectorworks. Courses include, but are not limited to: Sound Techniques, Advanced Sound Design, Sound Scoring, and Digital Audio Techniques. As the area of Sound Design is continually evolving, the successful candidate will be encouraged to continue to develop the curriculum based on these foundational courses. The successful candidate may be asked to be a guest lecturer for other classes within the department to facilitate the instruction of relevant subject matter.
In addition to class work, we offer our students the opportunity to put the skills they have learned into practice by designing dramas, musicals, opera, and dance productions in three different spaces for University Theatre. The successful candidate will be responsible for mentoring those undergraduate student sound designers in all aspects of creating and executing their sound designs.
We value the skills of the artist and technical expertise equally. The qualified candidate must have the ability to tune, design and troubleshoot sound systems in a variety of theatrical venues as well as experience with live mixing. They will work closely with studio and shop staff, School of Drama faculty, and representatives from other Fine Arts Schools involved with University Theatre. The candidate may also design sound for University Theatre should there not be a student assigned to the project.
The candidate must have experience with industry standard sound software applications such as Dante, ProTools, Qlab, and Vectorworks. Proficiency in additional similar design and technology platforms is preferred.
The successful candidate must have an MFA degree or equivalent. Previous teaching experience in higher education and an active professional career in sound design are preferred. Applicants should provide an updated professional portfolio and website.
Required qualifications include:
• MFA degree or equivalent.
• must have the ability to tune, design and troubleshoot sound systems in a variety of theatrical venues as well as experience with live mixing.
• must have experience with industry standard sound software applications such as Dante, ProTools, Qlab, and Vectorworks.
Preferred qualifications include:
• Proficiency in additional similar design and technology platforms is preferred.
• Previous teaching experience in higher education and an active professional career in sound design are preferred.
To apply, submit cover letter, CV, sound design/engineering portfolio and/or website, and contact information for 3 references to https://apply.interfolio.com/173810
Special Instructions: If you are selected as a final candidate for this position, you will be subject to The University of Oklahoma Norman Campus Tuberculosis Testing policy. To view the policy, visit https://hr.ou.edu/Policies-Handbooks/TB-Testing.
Why You Belong at the University of Oklahoma: The University of Oklahoma values our community's unique talents, perspectives, and experiences. At OU, we aspire to harness our innovation, creativity, and collaboration for the advancement of people everywhere. You Belong Here!
Equal Employment Opportunity Statement: The University, in compliance with all applicable federal and state laws and regulations, does not discriminate on the basis of race, color, national origin, sex, sexual orientation, marital status, genetic information, gender identity/expression (consistent with applicable law), age (40 or older), religion, disability, political beliefs, or status as a veteran in any of its policies, practices, or procedures. This includes but is not limited to admissions, employment, housing, financial aid, and educational services.
Oak Creek-Franklin Joint School District
Technical Director
The Oak Creek-Franklin Joint School District is seeking a dynamic individual for the position of Performing Arts & Education Center (PAEC) Technical Director.
This role is pivotal in overseeing the technical aspects of the PAEC, ensuring seamless event operations, and contributing to educational opportunities for students and community outreach to deliver quality entertainment.
Responsibilities:
Responsible for the management of the technical elements of all events/rehearsals which includes the hiring, training, scheduling and supervision of technical crews and the execution of event setup, operation, and strike/load-out.
Maintain equipment and ensure the safety of all operations such as piano tuning, sound rigging, fire curtain, curtain fireproofing and lights.
Collaborate with school faculty, students, and external clients to support events within a safe and educational environment.
Communicate with rental clients, artists and school groups concerning the technical needs of lights, sound, video projection and any other technical elements.
Oversee technical sound and lighting design and execution of the high school theater productions including training and mentoring of high school students during rehearsals and performances.
Serve as a board member to the Oak Creek Community For The Arts Foundation and assist the nonprofit as needed.
Provide general facility maintenance and upkeep offering a welcoming and clean environment for customers.
Coordinate logistics of event materials and equipment.
Create, update and maintain technical documents.
Assist with office hours, meetings and marketing media (creating videos/slides)to meet the needs of the PAEC.
Recruit, train, and provide hands-on instruction and mentoring of student interns to support their development of technical theatre skills.
Bachelor's degree in Technical Theatre is preferred, though ample professional skills, knowledge and experience may substitute for a degree.
Broad knowledge and experience of events, technical direction, carpentry, theatrical lighting, sound systems, and projections including Dante Audio, Windows 10, Video Editing, ETC Light Board and QLab.
Knowledge of basic rigging skills, preferred.
Ability to meet deadlines and work both independently and cooperatively.
Exhibit strong interpersonal, oral and written communication skills with a customer friendly approach.
Interest and willingness to build a strong student internship program to support high school student experiences around technical skills in performance arts.
Ability to work flexible, inconsistent hours including evenings, weekends and some holidays.
Sight & Sound
Automation & Effects Electrician
The Automation & Effects Electrician assists the A&E Designers and Technicians to install and maintain electrical systems in various show elements. They complete set electrical panel builds, install power distribution and assist in the implementation of special effects for new shows, existing shows, and special projects. They learn and understand show related programs and systems to be able to troubleshoot and repair them.
About Sight & Sound:
Sight & Sound is an organization comprised of people with diverse talents coming together as one in Christ to tell His story through who we are and what we do. We foster a culture of love for God and love for others, trust and teamwork, and a collaborative environment in which we get to do our best work every day.
Essential Duties & Responsibilities:
-Install set power distribution and necessary cable runs to power set lighting or other effects.
-Build and Install set panel boxes based on the design of the Automation and Effects Designers
-Prove and test the installation to ensure all elements receive the correct power based on their requirements.
-Interface with Lighting Design to identify all lighting power needs required for the show element.
-Ensure that all efforts are in conformity with the National Electric Code and approved Sight & Sound construction practices.
Prerequisites:
-Basic electrical skills with experience in electrical service installation
-Proficient with shop and hand power tools
-Proficient in reading electrical schematics
-Ability to install conduit based on framing drawings
-Computer skills including hardware, software, and networks
-Familiarity with industrial and/or theatrical control systems including industrial motor drives and human mechanical interface (HMI)
In compliance with federal law, all persons hired will be required to verify identity and eligibility to work in the United States and to complete the required employment eligibility verification form upon hire.
Education:
Preferred- Associates or better
Experience:
1-2 years in a related field
College of Charleston
Assistant Professor of Theatre – Scenic Design
College of Charleston is accepting applications for a full-time, tenure-track Assistant Professor of Theatre, to begin August 16, 2026. Areas of secondary emphasis are open with preference in Scenic Painting/Properties, but may include Projection Design, Sound Design, or related topics. Responsibilities include teaching courses in design, CAD, model-making, and introductory theatre courses; production work including designing/mentoring student designers forthe production season; and continued professional activity.
MFA in Scenic Design/Theatre Production; professional experience in theatre design; prior undergraduate teaching experience is strongly preferred.
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Utah Tech
Assistant Professor of Theatre Arts – Scenic Design and Technical Director emphasis
The Utah Tech University Theatre Program seeks a Scenic Designer/Technical Director to join its full-time, tenure-track faculty beginning August 2026. This position supports a four-show production season while teaching courses in design and technology such as Scenic Design, Stagecraft, Scene Painting, and Script Analysis. Responsibilities include scenic design/technical direction for three productions annually, mentoring student designers, managing budgets and shop operations, and contributing to student recruitment, retention, and departmental service.
MFA in Scenic Design, Technical Direction, or related field preferred
DePauw University
Tenure Track Assistant Professor in Theatre Design
The Department of Communication and Theatre at DePauw University invites applications for a tenure track position at the rank of Assistant Professor beginning August 2025. An MFA or PhD (completed by August 2026) in Theatre Design or related field is required; ABD or MFA-in-progress candidates will be considered at the rank of Instructor. The department specifically seeks candidates to teach major core curriculum courses in design, technical theatre, and theatre production. The teaching assignment is six courses per year, and designing for mainstage productions will take the place of one course in the teaching load.
Application materials should provide evidence of a commitment to successfully fostering and engaging with a diversity of ideas and experiences to create an inclusive environment in the classroom and at the University. Review of applications will begin October 15, 2025 and continue until the position is filled. Please contact Jennifer Adams, Communication and Theatre Department Chair, at jadams@depauw.edu with any questions.
For more information about the position and application process or to apply, please visit the DePauw career site.
An MFA or PhD (completed by August 2026) in Theatre Design or related field is required; ABD or MFA-in-progress candidates will be considered at the rank of Instructor.
Florida Gulf Coast University
Assistant Professor, Theater, Technical Theater
Florida Gulf Coast University
R0006874 Assistant Professor, Theater, Technical Theater
The Bower School of Music & the Arts (BSM&A) at Florida Gulf Coast University invites applications for a 9-month, multi-year appointment at the rank of Assistant Professor of Theater/Technical Theater.
This position entails teaching courses in technical theater at the undergraduate level, along with technical director responsibilities for university theater productions.
Candidates must hold a terminal degree in Technical Production, Theater Technology, or related field and present a record of scholarly and/or creative achievement, with a demonstrated capacity to continue research and creative activity at FGCU.
Florida Gulf Coast University is a comprehensive university dedicated to quality education, research, and service. All faculty are expected to: be excellent teachers, responsive to changing professional needs; be committed to innovative delivery of instruction resulting in improved student learning; be committed to effective use of technology including distance learning; produce peer reviewed scholarship; and provide service to the College, University and Community. Teaching assignments may be on the main campus or at off-campus sites within our region.
For more information and to apply please visit: https://apptrkr.com/6621734
Arizona Theatre Company
Carpenter
The Carpenter will construct scenic elements as drawn and engineered by the Technical Director (TD) and/or Assistant Technical Director (ATD) for ATC productions and outside contracts. They will participate in the build, load-in, remount and strike process.
Qualifications• Experience with theatrical carpentry and welding techniques.• Effective communicator with lead staff, build staff, and overhire.• Attentive to detail, accountable and skilled in time management
California State University, Chico
Costume/Makeup Studio Coordinator (Performing Arts Technician III)
Costume/Makeup Studio Coordinator (Performing Arts Technician III)
Job No: 549163
Work Type: Staff
Categories: Unit 9 - CSUEU - Technical Support Services, Probationary, Full Time, Theatre Arts
The Costume/Makeup Studio Coordinator is responsible for overseeing all aspects of costume/makeup production by collaborating with the entire production team, selecting and acquiring materials to complete designs, fittings and alterations, training and working with paid and unpaid student assistant designers and class crews, and maintaining related materials, equipment and shop areas in safe working order. The Costume/Makeup Studio Coordinator is a member of The College of Humanities and Fine Arts production team, serving the programmatic needs of the department and The School of the Arts. Our team is committed to the primary goal of all programs and the training/education of students. Production values follow from this goal. The operation of the Costume/Makeup Studio are student centered training programs that provide opportunities for students in all phases of Theatrical costume and makeup production. The goals include the effective integration of production and curriculum as well as effective collaboration between faculty and production staff to enhance the connection between the student experience and academic coursework.
To be considered for this position please visit our web site and apply on line at the following link: https://apptrkr.com/6433320
California State University, Chico employs only individuals lawfully authorized to work in the United States. California State University, Chico is an Equal Opportunity, Affirmative Action, Americans with Disabilities Act employer. An annual security report disclosing crime statistics for California State University, Chico can be obtained by contacting the California State University Police Department (530) 898-5555 or by accessing the following web site: http://www.csuchico.edu/up/
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Unit 9 - CSUEU - Technical Support Services, Probationary, Full Time, Theatre Arts
Indiana Repertory Theatre
Head of Audio and Video
The Indiana Repertory Theatre is seeking a skilled and collaborative Audio and Video Head to join our production team. Rooted in the heart of Indiana, Indiana Repertory Theatre is committed to building a vital, vibrant, and informed community through the transformational power of live theatre. For more information and how to apply please visit us at www.irtlive.com/employment.
- 5 - 7 years of experience in a live sound environment, theatrical experience preferred.
- Experience with sound and video design and technologies for live theatre.
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